Long before his YouTube videos went viral, spawning an appearance on “The Ellen DeGeneres Show” and a performance with the surviving members of Queen on “American Idol,” Marc Martel spent 13 years recording and touring the globe with Canadian rockers Downhere. Not only did the rock band visit 49 American States, but also toured throughout Europe and even Northern Africa, collecting worldwide acclaim and four Juno Awards in their native land.

All the while, the group was extoled for its sonic diversity while the Nashville transplant was regularly heralded as a world-class vocalist, often earning comparisons to late great Freddie Mercury in tandem with building his own fervent fan base. While the idea of paying tribute to one of the world’s most renowned and influential rock institutions never actually occurred to him when pounding the pavement with his own internationally signed act, in hindsight, it only made sense that Martel would someday be the perfect vehicle to propel One Vision Of Queen onto the road.

Martel is the ideal match for One Vision Of Queen, an explosive, attention-commanding tribute where some of the most iconic rock anthems of all time collide with a theatrical performance style and eye-popping production. At its core, the riveting show focuses on the extremely diverse body of the band’s greatest hits, from the grandiose “Bohemian Rhapsody” to the adrenaline-pumping “We Will Rock You,” the euphoric “We Are The Champions,” the funky “Another One Bites The Dust,” the stadium-shaking David Bowie collaboration “Under Pressure,” the soulful “Somebody To Love” and the swinging “Crazy Little Thing Called Love” (to name but a few from the steroid-stacked set list).

In addition to the obligatory but nonetheless consistently astounding selections, One Vision Of Queen also incorporates an entirely unique angle that will have die-hards and casual appreciators alike clamoring to hear several other sides of Martel. “Near the end of Freddie’s life, he explored other styles of music beyond rock, including opera, so with that in mind, the show also includes a segment of familiar songs in the flavor of what they might have sounded like had Freddie ever gotten the chance to sing them,” he explains. “For instance, I perform ‘Ave Maria’ by myself on piano and also the great opera aria ‘Nessun Dorma’ in the style of Freddie, so it gives the night some imaginative elements in the spirit of Queen, rather than strictly the letter of Queen. You could call it a greatest hits show with a twist where I get to explore other things that I wish Freddie could have recorded himself and wonder what could have been.”

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